Broadway, film, touring, and more...

Ochs also plays the Irish uilleann pipes and the Irish flute. His performing credits include playing for José Quintero's Broadway production of A Touch of the Poet, Pilobolus Dance Company's Broadway début, the soundtrack for Bob Rafelson's film Mountains of the Moon, and the première of Wind by Eiko and Koma at the Jacob's Pillow Dance Festival. Ochs was the piper in the original touring lineup of The Green Fields of America, which included Liz Carroll, Jack and Charlie Coen, Michael Flatley, Sean McGlynn, and Mick Moloney.

Ochs’s writing credits include articles on Irish music for New York Magazine, Sing Out!, The Pipers' Review, and other publications. He is currently writing a book on the music of Micho Russell. He lives in New York City where he teaches the tin whistle, uilleann pipes, and flute at The Irish Arts Center, at his own studio, and over the internet via Skype.

To contact Bill Ochs about lessons, classes, or a workshop for your group, please visit this page.

Bill Ochs (left), playing with S. African kwela master Robert Sithole

at 1993 Clarke Tin Whistle Festival, Coneyweston, England
(Photo by Elizabeth Ikin; courtesy Malachite Film & TV)

Pennywhistle for Beginners author Bill Ochs has been called a "central figure in the renaissance of the tin whistle" — aka the pennywhistle — by National Public Radio's All Things Considered and "the leading tin whistle teacher in North America" by the Irish Voice newspaper. He has devoted over thirty-five years to playing the instrument, teaching it at Manhattan’s Irish Arts Center, and giving workshops at schools throughout New York’s five boroughs.

The Clarke Tin Whistle book and producing credits

Ochs is also the author of The Clarke Tin Whistle, an acclaimed instruction book now in its twenty-first printing with over 250,000 copies in print. He is producer of Micho Russell's Ireland’s Whistling Ambassador, and co-producer of Cathal McConnell's Long Expectant Comes At Last, both of which were nominated for "Best Celtic Album of the Year" in the NAIRD Indie Awards.

“A central figure in the renaissance of the tin whistle” — NPR

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